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DTSTART;TZID=America/New_York:20250624T190000
DTEND;TZID=America/New_York:20250624T190000
DTSTAMP:20260417T111750
CREATED:20240827T190020Z
LAST-MODIFIED:20250527T142810Z
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SUMMARY:J.S. Bach's Complete Brandenburg Concerti
DESCRIPTION:A single performance of one of the Bach Brandenburg Concertos offers a glimpse into the composer’s ability to push the concerto form forward. Hearing the complete grouping of the six Brandenburgs together offers an understanding of just how substantial Bach’s innovations were. The Brandenburg Concertos were written after the composer met the Margrave of Brandenburg\, whose court was known for a substantial musical establishment. Bach reworked some previous materials into a group titled “Six Concerts for Several Instruments” and sent them off to the Margrave for consideration in 1721. Later dubbed the Brandenburg Concertos\, they do indeed employ several instruments\, in movements designed to showcase the characteristics of each\, in solos or as part of new pairings. The first includes a pair of horns\, instruments associated mostly with hunting calls\, in a solo group with three oboes\, bassoon and violin. No. 2\, provides a challenging turn for solo trumpet along with flute\, oboe\, and violin. The third is a string concerto for three trios of violin\, viola\, and cello. Two flutes and solo violin are highlighted in Concerto No. 4\, while No. 5 brings the harpsichord forward as a solo instrument\, one of the first occasions the instrument had stepped away from a continuo role. No. 6 excludes violins altogether to focus on the voices of lower strings. The Margrave’s reaction to this enthusiastic offering is unknown\, as there is no evidence that he responded to Bach’s submission or that the works were performed at his court. 
URL:https://oslmusic.org/calendar/2025/06/24/j-s-bachs-complete-brandenburg-concerti-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
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DTSTART;TZID=America/New_York:20250617T190000
DTEND;TZID=America/New_York:20250617T190000
DTSTAMP:20260417T111750
CREATED:20240827T190020Z
LAST-MODIFIED:20250527T142929Z
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SUMMARY:J.S. Bach and Mozart with Angela Hewitt
DESCRIPTION:Bach specialist Angela Hewitt is conductor and piano soloist in a program of works displaying the nimbleness and ingenuity of Bach\, and his successor\, Mozart\, in composing concertos and chamber works that pushed musical boundaries. Bach has been the backbone of Hewitt’s career. She was immersed in his music through her father\, a cathedral organist\, and recalls\, “I danced to Bach\, sang Bach\, played him on the violin and recorder . . . and in the end put all that experience into playing his music on the piano.” Her Hyperion recording of all the major keyboard works was hailed as “one of the record glories of our age” (The Sunday Times) and she recently completed the Bach Odyssey\, performing them in concerts worldwide. Hewitt leads from the keyboard in the D-minor and G-minor concertos.  \nBach’s astonishing compositional output found him often reworking pieces for different occasions and instrumentations. Such is the case with his keyboard concertos\, which are all transcriptions of works for other solo instruments\, adapted for harpsichord in Bach’s time. The Concerto in D minor is believed to have been transcribed from a lost work for another instrument. His Concerto in G is a transcription of his own Violin Concerto in A minor.    \nMozart was also a restless composer whose prolific output can be seen in works created in just a few months of 1784. His notebooks document the premiere of his Quintet for Piano and Winds\, K.452 just two days after its composition in March. The Concerto No. 17 came a month later\, and Mozart also recorded the oft-repeated story that its last movement variations were inspired by a pet starling he had just purchased\, which could whistle its main theme\, while adding some variations. 
URL:https://oslmusic.org/calendar/2025/06/17/j-s-bach-and-mozart-with-angela-hewitt-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250610T190000
DTEND;TZID=America/New_York:20250610T190000
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CREATED:20240827T190020Z
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SUMMARY:J.S. Bach and the French Baroque
DESCRIPTION:Though J.S. Bach never set foot in France\, the elegance of French music and dance profoundly shaped his work. Join Orchestra of St. Luke’s for an evening that explores this influence\, pairing Bach’s music with that of Jean-Marie Leclair—the “French Bach”—in twin A-minor concertos led by conductor and violinist Théotime Langlois de Swarte. Experience the vibrant fusion of French grace and German depth in a program celebrating musical dialogue across borders.
URL:https://oslmusic.org/calendar/2025/06/10/j-s-bach-and-the-french-baroque-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
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DTSTART;TZID=America/New_York:20250603T190000
DTEND;TZID=America/New_York:20250603T190000
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CREATED:20240827T190020Z
LAST-MODIFIED:20250602T144642Z
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SUMMARY:J.S. Bach's Stabat Mater
DESCRIPTION:The 2025 OSL Bach Festival opens with an evening of Baroque brilliance as Lionel Meunier\, founder of Vox Luminis\, conducts a program of sacred works. Bach’s Tilge\, Höchster\, meine Sünden—his profound reimagining of Pergolesi’s Stabat Mater—is paired with Vivaldi’s luminous motets. Richly scored and emotionally vivid\, the orchestral writing highlights the depth and elegance of the Baroque tradition. \nSoprano Gemma Nha\, praised for her “focused and luminous sound” (Parterre)\, joins countertenor Reginald Mobley\, described as “one of the finest countertenors working today” (Chicago Reader). \n\n
URL:https://oslmusic.org/calendar/2025/06/03/j-s-bachs-stabat-mater-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240926T190000
DTEND;TZID=America/New_York:20240926T190000
DTSTAMP:20260417T111750
CREATED:20240919T152133Z
LAST-MODIFIED:20241001T191434Z
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SUMMARY:German-American Friendship Concert
DESCRIPTION:Presented by Siemens Arts Program & Atlantik-Brücke \nPerformers \nStephan Frucht\, Conductor\nOrchestra of St. Luke’s\nAnthony McGill\, Clarinet\nDaniel Müller-Schott\, Violoncello\nCharlotte Melkonian\, Cello\n \nProgram  \nWolfgang Amadeus Mozart (1756 – 1791) \n\nConcerto for Clarinet and Orchestra A Major\, KV 622 \n\n\n      Anthony McGill\, Clarinet \n\n\nDavid Popper (1843-1913) \n\n\nPolonaise de Concert\, Op. 14. Arr. for Cello and Orchestra \n      Charlotte Melkonian\, Cello \n\n\nFriedrich Gulda (1930 – 2000) \n\n\nConcerto for Cello and Wind Orchestra \n\n\n     Daniel Müller-Schott\, Violoncello
URL:https://oslmusic.org/calendar/2024/09/26/german-american-friendship-concert-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240625T190000
DTEND;TZID=America/New_York:20240625T190000
DTSTAMP:20260417T111750
CREATED:20230816T174109Z
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SUMMARY:Bach and Sons
DESCRIPTION:Bringing this year’s Bach Festival to a close\, Kristian Bezuidenhout makes his Orchestra of St. Luke’s debut as both conductor and fortepiano soloist in a program that outlines the metamorphosis of musical styles from the late Baroque into the Classical era. \nWe begin with the Symphony in G minor by Johann Christian Bach\, a composer who paved the way for Classical musical forms and significantly influenced the young Mozart. While his utilization of simple harmonies might imply a subdued character in his work\, this turbulent symphony defies expectations\, brimming with colors that orchestras had yet to explore. \nIn direct contrast to this melody-driven style\, the Contrapunctus XIV from J.S. Bach’s “The Art of Fugue” showcases the senior composer’s famously intricate counterpoint and complex fugue subjects. Written during the last decade of Bach’s life and therefore within thirty years of the previous piece on the program\, it presents a remarkable juxtaposition\, offering a distinct glimpse into the musical evolution between father and son.  \nC.P.E. Bach\, the second son of J.S. Bach\, occupies a stylistic realm that defies easy classification\, with a creative voice that is uniquely his own. Recognized as a vital bridge between two musical eras\, he played a pivotal role in shaping the evolution from the ornate and structured Baroque period to the clarity and balance of the emerging Classical era. His keyboard compositions bear witness to his innovative spirit\, marked by inventive ornamentation\, phrasing\, and dynamic nuances that empower performers with interpretative latitude. This artistry is brilliantly harnessed by Bezuidenhout\, particularly evident in his rendition of the Piano Concerto in D minor.  \nConcluding the program is Mozart\, in many respects a spiritual heir to the Bach lineage. The Piano Concerto No. 9\, known as “Jenamy” after the young woman to whom it was dedicated\, was composed when Mozart was a mere 21 years old. With a bright and joyful air\, the concerto is replete with the signature elegance emblematic of the now firmly established Classical era.  \nPrincipal artistic underwriting for the OSL Bach Festival has been provided by Phyllis Rosenthal\, in memory of Charles M. Rosenthal.
URL:https://oslmusic.org/calendar/2024/06/25/bach-and-sons-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240618T190000
DTEND;TZID=America/New_York:20240618T190000
DTSTAMP:20260417T111750
CREATED:20230816T154309Z
LAST-MODIFIED:20240605T194518Z
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SUMMARY:Concertos with Hadelich
DESCRIPTION:Hear violin virtuoso Augustin Hadelich breathe new life into works that showcase Bach’s commitment to sustainability—namely\, reusing and recycling. \nLike many of his 18th-century contemporaries\, Bach had no qualms about repurposing his own music. He seamlessly integrated movements from small cantatas into grand choral pieces\, refashioned movements from old concertos\, and freely exchanged entire compositions between instruments\, a practice illuminated in tonight’s pieces. This intriguing insight offers a window into the compositions that must have held a special place in Bach’s heart.  \nWhen performing Bach’s music today\, repurposing becomes a necessity due to the loss of many of his physical works. Both pieces on tonight’s program have been meticulously reconstructed from harpsichord concertos that were originally written for violin. First\, the Violin Concerto in D minor emerges as a mesmerizing soloist’s showcase. Hadelich masterfully navigates intricate textures\, leading us through the fervent Allegro\, contemplative Adagio\, and spirited final Allegro. Next\, the Violin Concerto in G minor\, comes alive in a rich dialogue between Hadelich’s eloquent violin and the orchestra. Though these renditions are modern reworkings\, they faithfully align with historical practices and underscore the enduring magic of their sources.  \nPrincipal artistic underwriting for the OSL Bach Festival has been provided by Phyllis Rosenthal\, in memory of Charles M. Rosenthal.
URL:https://oslmusic.org/calendar/2024/06/18/concertos-with-hadelich-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240604T190000
DTEND;TZID=America/New_York:20240604T190000
DTSTAMP:20260417T111750
CREATED:20230816T153641Z
LAST-MODIFIED:20240528T152256Z
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SUMMARY:Concertos and Cantatas
DESCRIPTION:OSL’s annual celebration of J.S. Bach opens with conductor and baroque specialist Jeannette Sorrell leading OSL—joined by guest soloist Joélle Harvey—from court to country in a program featuring some of Bach’s most beloved cantatas and concertos. \nPrincipal artistic underwriting for the OSL Bach Festival has been provided by Phyllis Rosenthal\, in memory of Charles M. Rosenthal.
URL:https://oslmusic.org/calendar/2024/06/04/concertos-and-cantatas-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230620T190000
DTEND;TZID=America/New_York:20230620T190000
DTSTAMP:20260417T111750
CREATED:20220907T190053Z
LAST-MODIFIED:20230602T203811Z
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SUMMARY:The Baroque Voice
DESCRIPTION:Rising star countertenor Hugh Cutting returns after performing with the Orchestra in last season’s St. Matthew Passion for an evening of song\, featuring arias and cantatas by Handel and Bach. \nPrincipal artistic underwriting for the OSL Bach Festival has been provided by Phyllis Rosenthal\, in memory of Charles M. Rosenthal.
URL:https://oslmusic.org/calendar/2023/06/20/the-baroque-voice-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:2023 Bach Festival,2023 Bach Festival
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230613T190000
DTEND;TZID=America/New_York:20230613T190000
DTSTAMP:20260417T111750
CREATED:20220907T181102Z
LAST-MODIFIED:20230612T222502Z
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SUMMARY:Suites and Concertos
DESCRIPTION:Conductor Patrick Dupré Quigley leads violinist Gil Shaham and the Orchestra in a program featuring J.S. Bach’s virtuosic violin concertos and elusive orchestral suites\, a collection of dance pieces written in the popular French Baroque style with a debated history shrouded in intrigue. \nPrincipal artistic underwriting for the OSL Bach Festival has been provided by Phyllis Rosenthal\, in memory of Charles M. Rosenthal.
URL:https://oslmusic.org/calendar/2023/06/13/suites-and-concertos-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:2023 Bach Festival
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230606T190000
DTEND;TZID=America/New_York:20230606T190000
DTSTAMP:20260417T111750
CREATED:20220907T181342Z
LAST-MODIFIED:20230605T170000Z
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SUMMARY:Keyboard Concertos with Jeremy Denk
DESCRIPTION:“Spinning out lines like a jazz improviser and teasing out the surprises” (The New York Times)\, pianist Jeremy Denk leads the Orchestra with six of J.S. Bach’s well-loved keyboard concertos. \nPrincipal artistic underwriting for the OSL Bach Festival has been provided by Phyllis Rosenthal\, in memory of Charles M. Rosenthal.
URL:https://oslmusic.org/calendar/2023/06/06/keyboard-concertos-with-jeremy-denk-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:2023 Bach Festival
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220622T190000
DTEND;TZID=America/New_York:20220622T190000
DTSTAMP:20260417T111750
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LAST-MODIFIED:20220606T201117Z
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SUMMARY:A Narrated Musical Offering
DESCRIPTION:OSL’s Bach Festival 2022 culminates with Principal Conductor Bernard Labadie’s leadership of Bach’s A Musical Offering. Dating from the composer’s final decade\, the work is complex and highly chromatic\, exhaustively exploring the contrapuntal possibilities of a single theme. Labadie contextualizes the performance with his characteristically informative and illuminating commentary\, offering deeper insight into one of Bach’s last and greatest instrumental works.
URL:https://oslmusic.org/calendar/2022/06/22/a-narrated-musical-offering-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220607T190000
DTEND;TZID=America/New_York:20220607T190000
DTSTAMP:20260417T111750
CREATED:20210915T190431Z
LAST-MODIFIED:20220606T201110Z
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SUMMARY:Virtuoso Concertos
DESCRIPTION:In an evening of music by J.S. Bach and his contemporaries\, OSL’s Bach Festival 2022 continues with guest appearances by violinist Stefan Jackiw\, Philippe Tondre\, Principal Oboe of the Philadelphia Orchestra\, and soprano Amanda Forsythe. Featuring the U.S. premiere of OSL Principal Conductor Bernard Labadie’s original arrangement of Pachelbel’s E-minor Chaconne\, as well as works by Bach and Handel\, this concert of concerti showcases the soloistic individuality synonymous with Baroque era compositions.
URL:https://oslmusic.org/calendar/2022/06/07/virtuoso-concertos-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
ATTACH;FMTTYPE=image/png:https://oslmusic.org/wp-content/uploads/2021/09/FY22-Bernard-Labadie-Phillippe-Tondre-Amanda-Fosythe-and-Stefan-Jackiw.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220602T190000
DTEND;TZID=America/New_York:20220602T190000
DTSTAMP:20260417T111750
CREATED:20210915T185524Z
LAST-MODIFIED:20220418T151559Z
UID:10003319-1654196400-1654196400@oslmusic.org
SUMMARY:Steven Isserlis plays Haydn and Bach
DESCRIPTION:OSL’s beloved Bach Festival returns to Zankel Hall with special guest and Gramophone Hall of Fame cellist Steven Isserlis. Isserlis\, known for his technical mastery and expertise in historical performance\, joins OSL musicians for the Cello Concertos of CPE Bach and Joseph Haydn. Rounding out the program is Haydn’s Symphony No. 26\, nicknamed the “Lamentatione” Symphony. Written during the period of Haydn’s composition often referred to as Sturm und drang\, or ‘storm and stress’\, this three movement work explores the darker side of Haydn\, complete with minor keys and unusual rhythms.
URL:https://oslmusic.org/calendar/2022/06/02/steven-isserlis-plays-haydn-and-bach-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
ATTACH;FMTTYPE=image/png:https://oslmusic.org/wp-content/uploads/2021/09/FY22-Bernard-Labadie-and-Steven-Isserlis.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190720T200000
DTEND;TZID=America/New_York:20190720T200000
DTSTAMP:20260417T111750
CREATED:20190715T190721Z
LAST-MODIFIED:20190715T201244Z
UID:10003179-1563652800-1563652800@oslmusic.org
SUMMARY:We Chose to Go to the Moon
DESCRIPTION:Celebrate the 50th anniversary of the moon landing. After 2018’s sold-out The Vietnam War: At Home and Abroad\, John Monsky returns with his unique form of storytelling. The historian and collector’s multimedia presentation brings to life the drama\, tragedy\, and amazing moments of America’s race to space with a 30-piece orchestra\, Broadway singers\, and stunning photography and film from NASA.
URL:https://oslmusic.org/calendar/2019/07/20/we-chose-to-go-to-the-moon-8pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:Orchestral Concerts
ATTACH;FMTTYPE=image/jpeg:https://oslmusic.org/wp-content/uploads/2019/07/NeilArmstrong_NASA.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190620T193000
DTEND;TZID=America/New_York:20190620T193000
DTSTAMP:20260417T111750
CREATED:20180915T165932Z
LAST-MODIFIED:20190529T193750Z
UID:10003076-1561059000-1561059000@oslmusic.org
SUMMARY:Labadie’s Goldberg Variations
DESCRIPTION:In the third and final 2019 Bach Festival concert at Zankel Hall\, Bernard Labadie and OSL explore a new way of experiencing Bach’s beloved Goldberg Variations in the U.S. premiere of Labadie’s arrangement of this iconic keyboard work for Baroque ensemble. \n  \nRuntime: 135 minutes
URL:https://oslmusic.org/calendar/2019/06/20/labadies-goldberg-variations-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:2019 OSL Bach Festival,Orchestral Concerts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190613T193000
DTEND;TZID=America/New_York:20190613T193000
DTSTAMP:20260417T111750
CREATED:20180915T165932Z
LAST-MODIFIED:20190529T193901Z
UID:10003073-1560454200-1560454200@oslmusic.org
SUMMARY:Virtuoso Bach: Music of the Court
DESCRIPTION:OSL continues its celebration of J.S. Bach with this program spotlighting his role as a virtuosic court composer. \n  \nRuntime: 85 minutes
URL:https://oslmusic.org/calendar/2019/06/13/virtuoso-bach-music-of-the-court-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:2019 OSL Bach Festival,Orchestral Concerts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190606T193000
DTEND;TZID=America/New_York:20190606T193000
DTSTAMP:20260417T111750
CREATED:20180915T165931Z
LAST-MODIFIED:20190529T195912Z
UID:10003136-1559849400-1559849400@oslmusic.org
SUMMARY:Music of the Spirit: Stabat Mater
DESCRIPTION:Bach’s transcription of Pergolesi’s Stabat Mater\, transformed through his rich orchestrations\, launches the 2019 Bach Festival alongside selections and arrangements from his extensive catalogue of sacred cantatas. Soprano Lydia Teuscher and countertenor Benno Schachtner join OSL conducted by Bernard Labadie in the first of three festival performances at Zankel Hall. \n  \nRuntime: 101 minutes
URL:https://oslmusic.org/calendar/2019/06/06/music-of-the-spirit-stabat-mater-7pm/
LOCATION:Zankel Hall|Carnegie Hall\, West 57th Street & 7th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:2019 OSL Bach Festival,Orchestral Concerts
ATTACH;FMTTYPE=image/jpeg:https://oslmusic.org/wp-content/uploads/2018/09/20190606-bach-5-3.jpg
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END:VEVENT
END:VCALENDAR