Charlotte Mundy’s 24/25 season is full of world premieres in venues across the US, Canada, Argentina and Germany. Past performances include critically acclaimed renditions of Schoenberg’s Pierrot Lunaire, Boulez’s Le Marteau sans Maître, Feldman’s Three Voices, George Benjamin’s Into the Little Hill, Iannis Xenakis’ Akanthos, and a set of music for voice and electronics presented by New York Festival of Song.
As a founding member of TAK ensemble, Mundy has performed at Lincoln Center and the Library of Congress, premiering works by Tyshawn Sorey, Erin Gee, Eric Wubbels, Brandon Lopez, and Natacha Diels. Mundy is also a core member of Ekmeles, and recent recipients of the Ernst von Siemens Ensemble Prize. As a soloist, Mundy’ recently performed in the world premiere of site specific opera Newtown Odyssey by Kurt Rohde and Marie Lorenz; a solo recital at The Americas Society; premieres of concert works by Francisco del Pino, Alyssa Regent and Aida Shirazi, and the debut of a new collaborative multimedia project with Christian Quiñones.
As a recording artist, Mundy is featured on recordings ranging from contemporary classical music to black metal to prog rock to ambient music. She is featured on guitarist/composer Ben Monder’s latest album, Planetarium, and is the vocal soloist on the studio recording of Bekah Simms’ 2022 Juno award winning composition Bestiary I & II. Her recordings as a member of TAK and Ekmeles have been widely praised.
Fascinated by interdisciplinary work, Mundy has appeared at the Park Avenue Armory as part of a work by Martin Creed and the Metropolitan Museum singing with Oliver Beer’s Vessel Orchestra. She has an ongoing relationship with New Chamber Ballet led by Miro Magloire, in which she memorizes contemporary vocal works and moves as a member of Magloire’s choreography with the company’s trained dancers. She performed in the documentary music theatre work A Star Has Burnt My Eye, written by Howard Fishman, on the BAM Next Wave Festival.
Born in Toronto and based in Brooklyn, Mundy studied classical voice at the University of Toronto, contemporary performance at the Manhattan School of Music, and is working toward a Doctor of Musical Arts degree at the CUNY Graduate Center.
