Bernard's Bach
Throughout Bach at Home 2020, Principal Conductor and globally-renowned Bach expert Bernard Labadie will take listeners on a deep dive into well-known and obscure works by Bach through essays and specially chosen recordings.
Throughout Bach at Home 2020, Principal Conductor and globally-renowned Bach expert Bernard Labadie will take listeners on a deep dive into well-known and obscure works by Bach through essays and specially chosen recordings.
Throughout Bach at Home 2020, Principal Conductor and globally-renowned Bach expert Bernard Labadie will take listeners on a deep dive into well-known and obscure works by Bach through essays and…
Read More >Throughout Bach at Home 2020, Principal Conductor and globally-renowned Bach expert Bernard Labadie will take listeners on a deep dive into well-known and obscure works by Bach through essays and…
Read More >Throughout Bach at Home 2020, Principal Conductor and globally-renowned Bach expert Bernard Labadie will take listeners on a deep dive into well-known and obscure works by Bach through essays and…
Read More >Throughout Bach at Home 2020, Principal Conductor and globally-renowned Bach expert Bernard Labadie will take listeners on a deep dive into well-known and obscure works by Bach through essays and…
Read More >Throughout Bach at Home 2020, Principal Conductor and globally-renowned Bach expert Bernard Labadie will take listeners on a deep dive into well-known and obscure works by Bach through essays and…
Read More >Buxtehude was a remarkably influential figure in Bach’s time, and here Bernard introduces his Jesu meines Lebens Leben BuxWV 62.
Read More >Here, Bernard takes us on an exploration of Bach’s early Cantata, Gottes Zeit ist die allerbeste Zeit, BWV 106, otherwise known as “Actus tragicus.” Readers with an interest in musicological…
Read More >Bernard shares his approach to arranging the Goldberg Variations (BWV 988), as well as a powerfully serene memory from the final take of Les Violons du Roy’s recording session.
Read More >The original manuscript of Bach’s St. Mark Passion is lost. Here Bernard outlines the case for the music from Bach’s Funeral Ode, BWV 198 as a basis for the Passion’s…
Read More >Originally written by Stölzel, “Bist du bei mir” (BWV 508) is a gem of a love song, mainly known as part of the second Little Notebook for Anna Magdalena Bach.
Read More >An elementary school teacher introduced Bernard Labadie to baroque music, which ushered him on a path of musical discovery. His first encounter with the St. Matthew Passion has remained a…
Read More >The aria “Aus Liebe will mein Heiland sterben” from St. Matthew Passion is one of Bach’s most beautiful works for voice, and in the recorded excerpt is beautifully performed by Carolyn Sampson. In Bach’s time, this solo would have…
Read More >The composer Georg Philipp Telemann was a contemporary and friend of Bach’s. He was a legendary figure, with a prolific output of over 3000 works that were, at that time,…
Read More >Pastiche and Pasticcio, while sounding similar, are not the same. In this essay Bernard explains why he is certain that an unattributed arrangement included in a German pasticcio is “genuine…
Read More >Bach organized his works of a similar nature into collections of six, such as his “Brandenburg” Concertos, works for violin, as well as solo cello. Bach’s motets were not grouped by the…
Read More >The Art of The Fugue was written at the end of Bach’s life, and was a compendium intended to demonstrate all the possibilities of contrapuntal writing.
Read More >Bernard Labadie provides a window into Bach’s masterful transformative abilities with text, language, and musical structure.
Read More >Some of Bach’s towering artistic achievements and finest musical work grapples with the human experience, and as Bernard Labadie shares in this essay, the daily realities of “earthly suffering, and…
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