[…]
Home-Body, Home-Bach

Our Bach Today series combines artist interviews, articles, and world premiere performances that focus on Bach’s lasting presence in our musical lives today.
[…]
[…]
[…]
[…]
We have explored many different transformational processes from Bach’s toolbox: transcription or arrangement of music by other composers, transcription of his own instrumental music and recycling of his own vocal […]
There is no doubt that Bach was well aware of his worth and place in the music world of his time. Why wouldn’t he be? We have numerous reports of […]
Bach, like many of his contemporaries, had a habit of collecting and organizing pieces of similar nature in groups of six or its multiples. You might very well have seen […]
In another essay I introduce the concept of parody, the process by which composers (Bach in particular) adapt a new text to preexisting music. Here I would like to explore […]
One of my great mentors at the Juilliard School (and afterwards) was harpsichordist Albert Fuller. It so happens that I know Jim Roe, current President and CEO of Orchestra of St. […]
Once in a while I feel the need to divert slightly from the music of Bach himself in order to put it in better context. We have visited Dietrich Buxtehude […]